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Verdi: La Traviata Special Edition Blu-Ray - Exclusive Bonus Feature
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Genre | Documentary |
Format | Color, NTSC, Classical, Blu-ray, Dolby, Multiple Formats, Widescreen |
Contributor | Ramon Vargas, Alessandro Paliaga, Enrico Cossutta, Angela Gheorghiu, Roberto Frontali, Piero Terranova, Natascha Petrinsky, Liliana Cavani;Lorin Maazel, Tiziana Tramonti, Luigi Roni, Teatro alla Scala See more |
Language | Italian |
Runtime | 2 hours and 12 minutes |
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Product Description
Exclusive Bonus Feature: More than 70 minutes of highlights from 26 critically acclaimed Opera, Ballet & Documentary productions in High Definition on Blu-ray disc, and an Arthaus Musik Blu-ray catalog.
Product details
- Aspect Ratio : 1.77:1
- Is Discontinued By Manufacturer : No
- MPAA rating : NR (Not Rated)
- Product Dimensions : 6.5 x 5.25 x 0.3 inches; 3.2 ounces
- Director : Liliana Cavani;Lorin Maazel
- Media Format : Color, NTSC, Classical, Blu-ray, Dolby, Multiple Formats, Widescreen
- Run time : 2 hours and 12 minutes
- Release date : March 30, 2010
- Actors : Angela Gheorghiu, Ramon Vargas, Roberto Frontali, Natascha Petrinsky, Tiziana Tramonti
- Subtitles: : English, French, Spanish, Italian, German
- Language : Italian (DTS-HD 7.1), Italian (PCM Stereo)
- Studio : Arthaus
- ASIN : B00361DR4Q
- Number of discs : 1
- Best Sellers Rank: #185,691 in Movies & TV (See Top 100 in Movies & TV)
- #281 in Performing Arts (Movies & TV)
- #935 in Special Interests (Movies & TV)
- Customer Reviews:
Customer reviews
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- Reviewed in the United States on October 5, 2008This new DVD from Arthaus faces formidible competition from Gheorghiu's first Violetta on Decca; this was her "double" debut, both on DVD and CD. It was her first undertaking of the role and clearly she meant to make it her own. The conductor, Solti, allows for the second verses to arias that are either frequently cut (O mio rimorso and Addio del passato) and includes the cabaletta to Di provenza--not one of Verdi's most inspired moments.
This new DVD uses sets that were new in 1990 although I don't think anyone could lodge a complaint in this area: they are opulent, plush and quite gorgeous. The conservative opera goer will have no complaint here. If memory serves me correctly this is the same production that featured Tiziana Fabriccini, an interpretation that was very controversial, Roberto Alagna and Paolo Coni and conducted by Muti. It should be re-released by whoever has the licensing rights.
Gheorghiu matches all the excellences of her earlier performance. She always looks stunning, sings beautifully and is an accomplished actress. I can't think of any other singer who has this role in her repertoire could match this diva. Yes, it's true that she doesn't take the optional high D at the end of the first act aria, but that's what it is: an option. Her performance is nuanced and touching. I have heard some of Fleming's performance but I find her superficial and dramatically utterly uninvolved. (A downside to the LOs Angeles DVD is Bruson who in his prime was a baritone to be reckoned with; here, at 70 (!) his tone is partched and is afflicted with a wobble which is very distressing.)
Vargas is a great improvement over Lopardo who is somewhat wooden and appears uncomfortable. The former would never be accused of being a great actor but his instincts are always right and while not being "handsome" he has a cherubic sweetness that is very engaging. He has clearly thought out the requirements of the music and brings a great deal of imagination. A pity that the second verse of O mio rimorso was cut as it spoils the musical balance that Verdi was aiming for. (Gheorghiu was also denied her second verse in the Addio del passato.)
Frontali is a vast improvement over Nucci who by rights should be able to shine in this role; the latter became a "Verdi baritone" by default. His milieu is clearly in the Donizetti/Bellini/Rossini operas. the voice is slender, but well focused, but I prefer Fontali's bigger more rugged sound. Of course he has no competition--at least none that I know of on the horizon.
Initially I had my doubts about Maazel. In the 70's (I am hazarding a guess)he recorded Traviata with Lorengar, Aragall and DFD. It was a near complete text if I recall, but Decca management doubtless came down with the mandate to get it on two LP discs. As a result the tempi were brutal in many cases and even though the set did garner some good reviews I have no doubt that it was due to Lorengar. Here Maazel seems much more relaxed and at one with the score. In short one of the best performances of Traviata that I have heard.
For those who want or require a regie Traviata stay away. There is no Konzept here. I would dearly love to see the Venice performance (again Maazel I believe) and even though what I have seen of Villazon/Netrebko is more than offputting (more due to Rizzi who seems to be this generation's Molinari-Pradelli). The cover on the Bel Aire DVD is a Maryln Monroe 'manque"--not the association I make with Traviata. OTOH if a conventionally staged, directed production of this opera is what you want I can only recommend this new set.
- Reviewed in the United States on October 25, 2008In Gheorghiu's 1994 performance of La Traviata from Covent Garden (also on DVD), her singing of Violetta is fresh and captivating but you're aware that she's concentrating on the music (which is not a criticism). In this 2007 La Scala production, thirteen years more mature as a performer, she just lets loose while at the same time achieving extraordinary precision in her phrasing and in her interpretation of the role. Her performance can only be described as a "tour de force." She performs the role as if she owns it. I've never seen "E strano" and "Sempre libera" sung with such unbridled confidence. The expression on her face during the curtain call to Act I tells us she knows she nailed it. Immodest, she is not (as another reviewer pointed out).
But don't let that put you off because onstage, where it matters, Gheorghiu gives one of the most dominating opera performances I've seen. Every note is sung with clear intention. Her one minute "aria," the cry "Amami, Alfredo," accompanied by fiery orchestration, dominated by the timpani (which reappears with heartrending effect in the final bars of the opera), is worth the price of the DVD alone. It's a powerful and heartbreaking moment.
As if Gheorghiu's performance were not enough to recommend this production, I think it offers the best threesome available in Traviata on DVD. As Alfredo, Ramon Vargas may not be as expressive an actor as, for example, Rolando Villazon, but Vargas creates a touching and vulnerable Alfredo and possesses a wonderfully rich and full voice. The word "burnished" is more often used to describe a baritone, but it applies to Vargas' tenor voice. Just listen to his Act III duet with Gheorghiu, "Parigi, o cara," and you'll hear that exceptional quality to which I refer. He is far superior to Frank Lopardo who is on Gheorghiu's 1994 Traviata. Lopardo is so wooden onstage that he's not believable as her lover.
Roberto Frontali is the best Germont I've seen on DVD. Germont is often played by baritones who are too young to be Alfredo's father. These otherwise fine performers appear stiff and uncomfortable in a role that requires them to play a much older man (Dmitri Hvorostovsky and Thomas Hampson come to mind, the former in the La Fenice Traviata featuring Patrizia Ciofi and the latter in the Salzburg production featuring Anna Netrebko). But Frontali is perfect for the role. His rich bass-baritone voice just rings out in "Di Provenza." It contrasts beautifully with Gheorghiu's soprano; their duet in Act II is one of the highlights of the production.
As always, the La Scala chorus is precise in its execution and beautiful in sound. It excels on all the La Scala DVD's I own. The concertato finale to Act II, with Gheorghiu's voice soaring above the chorus, is riveting.
I guess the thrust of this review is clear: if you're an Angela Gheorghiu fan, this production is not to be missed. Add to that the stellar performances by Vargas, Frontali, the chorus, the orchestra under the baton of Lorin Maazel, and this is the best La Traviata currently available on DVD.
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Reviewed in the United States on July 2, 2024El blue ray salió defectuoso, nunca lo pude ver
- Reviewed in the United States on December 21, 2016I now have two versions of La Traviata on Blu-ray. I purchased this one first. Loved the lavish period-style sets and costumes, but found the appearance of the singers at bit distracting. Perhaps that is a bit crass, but it is what it is. Although not all that old, Gheorghiu looks too old on the Blu-ray to be the beautiful young courtesan who can get any man she wants and Vargas looks too homely to be the man she would give up a life of riches for.
I subsequently purchased the Glyndebourne production. Venera Gimadieva, as Violetta, both looks the role and sings it beautifully. Michael Fabiano’s looks were not as distracting as Vargas’. I liked Vargas’s singing a bit better, but wouldn’t consider the difference major. The problem with the Glyndebourne production is that it is “updated” to what appears to be the 21st Century, something that makes no sense to me for a plot that is very grounded in 19th Century moral prejudices.
I have compared the two further, in considerably more detail, in my review of the Glyndebourne production.
Both are excellent productions, but neither is perfect, or at least not exactly what I would like to see. If there were an option for 4 ½ stars, I would go with that for both. Given that non-option, it will be four.
Top reviews from other countries
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Fabrizio MartelliReviewed in Italy on July 30, 2020
5.0 out of 5 stars Per gli amanti della lirica
Ottima interpretazione . Immancabile per gli amanti della buona lirica
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街道WalkerReviewed in Japan on May 3, 2016
5.0 out of 5 stars ミラノスカラ座で撮影
YouTubeでも視聴できますが、やはりブルーレイの画質は違います。もちろん音質がいいのも言うまでもありません。
椿姫のストーリー展開はYouTubeで押さえておいたものの、通しの字幕付きで見るとオーディオで聞いていたあの曲は
こんな場面で歌われていたのか、あらためて楽しむことができましたし、オーディオで聞くときは逆にそのシーンを思い浮かべる
ことができます。
オペラでは斬新な演出がなされたものが混じっていますが、これは椿姫の内容の通りの演出で違和感なく見ることができます。
まあ、椿姫の内容で前衛芸術のような演出を被せたら台無しになってしまうでしょうね。
観客席の咳払いなどの雑音も入っていませんでしたし、カメラは舞台正面や斜め上などのアングルで録画の為の撮影かと思いました。
エンディングで演者がカーテンの前に出て来ますが、その時点ではじめてスカラ座の観客席が写ります。
本場イタリアで、しかもスカラ座の観客はどんな格好で来ているのか興味が湧きました。
夏場だったようでそれほどフォーマルウェアは目立たず、シャツやポロシャツの人もいました。
スカラ座の奥行きは意外と大きくありませんでした。その代わり舞台を囲むように3面に5層のボックス席があり、舞台からの音響が届く範囲を
考えてのことだと合点がいきました。
日本の大きなコンサートホールでは、いくら声量のある歌手でも後ろの方では迫力までは伝わらないでしょう。
この贅沢なスカラ座での上演をブルーレイで¥1,700で楽しめるなんて、お買い得のディスクでした。
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AngelReviewed in Spain on January 20, 2014
5.0 out of 5 stars Acierto después de dudar entre dos versiones
Buscaba una versión clásica, por tanto descartada la de Netrebko y Villazón. Dudé entre esta versión y la de la Royal Opera House del sello Opus Arte. Una vez adquirida he leído por ahí que Angela Gheorghiu es la mejor Violeta de los último 20 años y no me parece descabellado pues hace una gran interpretación, un poco sobreactuada para mi gusto pero soberbia en lo vocal. El coro de los matadores muy ridículo.
- JAMESReviewed in the United Kingdom on March 9, 2014
5.0 out of 5 stars La Trav
well what can you say a joy, although Im no expert on Opera this was amazing I could stop watching, I usually fall asleep or end up in a coma watching Opera but this was good. If your new to opera give it a go
- fiumicinaReviewed in the Netherlands on June 6, 2024
1.0 out of 5 stars The disk did not work on any BD players
The disk did not work on any BD players, although should have been fully compatible according to the info on the cover